bid form | ByNatalie

Naked and Unframed - Bidding Form

Thank you for your interest in bidding on a piece from Naked and Unframed. Please fill out the form below to submit your sealed bid. You won’t see other bids, and reserve prices are not disclosed. Highest bid wins.

If your bid is successful, I’ll be in touch to arrange payment and delivery. Delivery outside Bath will be discussed and added to the cost.

Scroll down to see the paintings in the exhibition.

The Art: A celebration of presence, movement, and mark-making. Figures drift between abstraction and form, clothed and unclothed, still and spinning. Materials speak, gestures breathe, and spontaneity reigns. This is drawing full of life

1. Swimmer 122 x 122 Oil on canvas. Starting bid at £400. Year-round swimming brings camaraderie, colour, and clarity. Winter’s chill sharpens connection—cool air, vibrant hues, and the exhilarating shock of cold water awaken body and spirit in shared joy.	2. Velasquez Twist 46 x 130 Framed, 64 x 147 Mixed media and collage on paper. Starting bid at £280 Drawing large demands full-body movement. Inspired by Rokeby Venus, I exaggerate feminine curves. Collage adds tactile richness—layered colour, texture, and energy—bringing sensuality and dynamism to the pose.	3. Studio Pose 150 x 138 Acrylic and Charcoal on stretched canvas. Starting bid at £150 Annie, a favourite model, invites creative risk. Her averted gaze introduces tension—permission meets distance. The silent dialogue between artist and muse explores intimacy, detachment, and the rules unspoken.
4. Boudoir 56 x 77 Acrylic and Charcoal on paper. Starting bid at £40 When models bring props, they shift the narrative—inviting reflection, surprise, and reinterpretation. Each object adds layers of meaning, prompting me to question assumptions and explore new visual dialogues.	5. Sage 84 x 59 Framed, 101 x 76 Screenprint, ink and acrylic on paper. Starting bid at £280 I love a bit of attitude. Drawn over a nautical screen print, she feels fresh from the sea—bold, unapologetic. Reusing past work adds depth, surprise, and layered storytelling.	6. Nico's bracelets 89 x 66 Framed, 97 x 75 Acrylic and Charcoal on paper. Starting bid at £280 My nephew’s handmade gifts—bright, endearing—found their way into my art. Tiny details like bracelets or rings often steal focus, adding intimacy and unexpected weight to the visual story.
7. New Ring 120 x 97 Framed, 134 x 113 Acrylic and Charcoal on paper. Starting bid at £350 Inspired by pop artists like Ed Ruscha, text surfaces boldly. She presents the ring—but voyeurism shifts focus. Playful tension emerges between what’s shown, what’s seen, and what’s not said.	8. Faded glory 97 x 97 Acrylic and Charcoal on paper. Starting bid at £200 Post-party shimmer lingers—glamour after the moment has passed. She’s done, yet dazzling. A quiet commentary on the female life brief: resilience, beauty, and grace in the aftermath.	9. Monstera 101 x 136 Acrylic and Pastel on paper. Starting bid at £200 A figure drifts in quiet contemplation, echoing the organic curves of surrounding leaves. Their pace and posture mirror nature’s rhythm—soft, slow, and resonant with the shapes that envelop them.
10. Yellow girl 120 x 100 Acrylic and Charcoal on canvas. Starting bid £350 Bold paper marks translate to canvas—then pause. Early restraint preserves freshness. Canvas tempts overworking, but here, simplicity sings. The magic lies in knowing when to stop and let it breathe.	11. Annie's ring 42 x 29.5 Framed, 54 x 42 Charcoal, Ink and Gouache on paper. Starting bid at £150 mall details—like her ring—anchor the piece. I love when work teeters between figuration and abstraction. Executed in ink, it captures that edge with spontaneity and expressive tension.	12. Boob 24 x 24 Framed, 37 x 37 Gouache on paper. Starting bid at £200 Lines drift toward abstraction, yet clarity remains. Suggestive without being explicit, the form balances ambiguity and recognition—inviting viewers to fill in the gaps with instinct, memory, and imagination.
13. Asleep 28 x 20 Framed, 37 x 29 Charcoal and Gouache on paper. Starting bid at £100 A quiet moment suspended in stillness. She stops—breath slows, thoughts fade. Silence envelops her form, capturing the delicate pause between presence and absence, between movement and complete surrender.	14. Curtain twitcher 138 x 67 Framed, 154 x 84 Mixed media and collage on paper. Starting bid £280 quiet moment suspended in stillness. She stops—breath slows, thoughts fade. Silence envelops her form, capturing the delicate pause between presence and absence, between movement and complete surrender.	15. Dreadlocks & Dungarees 151 x 122 Acrylic on canvas. Starting bid £300 Ruth arrived in twisted locks and funky dungarees—I asked her to stay clothed. Garments speak their own language, adding rhythm, character, and a whole new expressive realm.
16. Kiss 70x50 Framed, 84 x 72 Mixed media on paper Starting bid at £220 Expressive lines entwine, capturing a tender moment suspended in time. The gesture is fleeting yet held—intimate, delicate, and quietly powerful in its simplicity and emotional resonance.	17. Untitled 19 x 30 Mixed Media. Starting bid at £20 let materials lead—pastels and unlikely pairings collide, creating unexpected texture. The piece paints itself, guided by instinct and the media’s own voice. That surrender brings raw, tactile magic.	18. Reclining nude 70 x 50 Graphite on paper. Starting bid at £50 A large exploratory sketch traces the body’s lines with shifting rhythm and form. Movement flows across the surface—gestural, fluid, and expressive—capturing presence through evolving mark-making.
19. Reclining nude 2 70 x 50 Graphite on paper. Starting bid at £50 A sweeping, exploratory drawing traces the contours of the figure with shifting cadence and shape. Motion ripples across the surface—dynamic, fluid, and emotive—conveying presence through a progression of evolving gestures.	20. Hula Hoop 80 x 50 Ink and Gouache on paper. Starting bid at £50 Emilia arrived in costume, spinning rhythm into the room with her hula hoop. The movement was fluid, playful, and full of energy.	21. Golden Hour 70 x 50 Charcoal and Pastel Starting bid at £50 That’s it—done for the day. Light softens, time slows. She rests in that golden space, at peace. A quiet exhale, where everything settles into stillness and ease.
22. Circus skirt 80 x 50 Ink and Gouache on paper. Starting bid at £50 Elements from the model emerge—suggested, not defined. The form drifts, playful and elusive, like memory or motion. A sketch of presence, half-held, half-lost in imaginative rhythm.	23. Naked and unafraid 70 x 50 Mixed media. Bid start at £50 Long lines drip away—fluid, fearless. The figure sits unapologetic. Vulnerability becomes strength, and the looseness of the marks echoes the courage of being fully seen.	24. Thoughtful moment 70 x 50 Charcoal and Pastel Starting bid at £50 A pause—arrested in stillness. Consideration flickers, exhilaration hums beneath contentment. She stops, fully present. In this quiet urgency, we’re reminded: reflection is vital.

1. Swimmer

122 x 122 Oil on canvas. Starting bid at £400. Year-round swimming brings camaraderie, colour, and clarity. Winter’s chill sharpens connection—cool air, vibrant hues, and the exhilarating shock of cold water awaken body and spirit in shared joy.

2. Velasquez Twist

46 x 130 Framed, 64 x 147 Mixed media and collage on paper. Starting bid at £280 Drawing large demands full-body movement. Inspired by Rokeby Venus, I exaggerate feminine curves. Collage adds tactile richness—layered colour, texture, and energy—bringing sensuality and dynamism to the pose.

3. Studio Pose

150 x 138 Acrylic and Charcoal on stretched canvas. Starting bid at £150 Annie, a favourite model, invites creative risk. Her averted gaze introduces tension—permission meets distance. The silent dialogue between artist and muse explores intimacy, detachment, and the rules unspoken.

4. Boudoir

56 x 77 Acrylic and Charcoal on paper. Starting bid at £40 When models bring props, they shift the narrative—inviting reflection, surprise, and reinterpretation. Each object adds layers of meaning, prompting me to question assumptions and explore new visual dialogues.

5. Sage

84 x 59 Framed, 101 x 76 Screenprint, ink and acrylic on paper. Starting bid at £280 I love a bit of attitude. Drawn over a nautical screen print, she feels fresh from the sea—bold, unapologetic. Reusing past work adds depth, surprise, and layered storytelling.

6. Nico's bracelets

89 x 66 Framed, 97 x 75 Acrylic and Charcoal on paper. Starting bid at £280 My nephew’s handmade gifts—bright, endearing—found their way into my art. Tiny details like bracelets or rings often steal focus, adding intimacy and unexpected weight to the visual story.

7. New Ring

120 x 97 Framed, 134 x 113 Acrylic and Charcoal on paper. Starting bid at £350 Inspired by pop artists like Ed Ruscha, text surfaces boldly. She presents the ring—but voyeurism shifts focus. Playful tension emerges between what’s shown, what’s seen, and what’s not said.

8. Faded glory

97 x 97 Acrylic and Charcoal on paper. Starting bid at £200 Post-party shimmer lingers—glamour after the moment has passed. She’s done, yet dazzling. A quiet commentary on the female life brief: resilience, beauty, and grace in the aftermath.

9. Monstera

101 x 136 Acrylic and Pastel on paper. Starting bid at £200 A figure drifts in quiet contemplation, echoing the organic curves of surrounding leaves. Their pace and posture mirror nature’s rhythm—soft, slow, and resonant with the shapes that envelop them.

10. Yellow girl

120 x 100 Acrylic and Charcoal on canvas. Starting bid £350 Bold paper marks translate to canvas—then pause. Early restraint preserves freshness. Canvas tempts overworking, but here, simplicity sings. The magic lies in knowing when to stop and let it breathe.

11. Annie's ring

42 x 29.5 Framed, 54 x 42 Charcoal, Ink and Gouache on paper. Starting bid at £150 mall details—like her ring—anchor the piece. I love when work teeters between figuration and abstraction. Executed in ink, it captures that edge with spontaneity and expressive tension.

12. Boob

24 x 24 Framed, 37 x 37 Gouache on paper. Starting bid at £200 Lines drift toward abstraction, yet clarity remains. Suggestive without being explicit, the form balances ambiguity and recognition—inviting viewers to fill in the gaps with instinct, memory, and imagination.

13. Asleep

28 x 20 Framed, 37 x 29 Charcoal and Gouache on paper. Starting bid at £100 A quiet moment suspended in stillness. She stops—breath slows, thoughts fade. Silence envelops her form, capturing the delicate pause between presence and absence, between movement and complete surrender.

14. Curtain twitcher

138 x 67 Framed, 154 x 84 Mixed media and collage on paper. Starting bid £280 quiet moment suspended in stillness. She stops—breath slows, thoughts fade. Silence envelops her form, capturing the delicate pause between presence and absence, between movement and complete surrender.

15. Dreadlocks & Dungarees

151 x 122 Acrylic on canvas. Starting bid £300 Ruth arrived in twisted locks and funky dungarees—I asked her to stay clothed. Garments speak their own language, adding rhythm, character, and a whole new expressive realm.

16. Kiss

70x50 Framed, 84 x 72 Mixed media on paper Starting bid at £220 Expressive lines entwine, capturing a tender moment suspended in time. The gesture is fleeting yet held—intimate, delicate, and quietly powerful in its simplicity and emotional resonance.

17. Untitled

19 x 30 Mixed Media. Starting bid at £20 let materials lead—pastels and unlikely pairings collide, creating unexpected texture. The piece paints itself, guided by instinct and the media’s own voice. That surrender brings raw, tactile magic.

18. Reclining nude

70 x 50 Graphite on paper. Starting bid at £50 A large exploratory sketch traces the body’s lines with shifting rhythm and form. Movement flows across the surface—gestural, fluid, and expressive—capturing presence through evolving mark-making.

19. Reclining nude 2

70 x 50 Graphite on paper. Starting bid at £50 A sweeping, exploratory drawing traces the contours of the figure with shifting cadence and shape. Motion ripples across the surface—dynamic, fluid, and emotive—conveying presence through a progression of evolving gestures.

20. Hula Hoop

80 x 50 Ink and Gouache on paper. Starting bid at £50 Emilia arrived in costume, spinning rhythm into the room with her hula hoop. The movement was fluid, playful, and full of energy.

21. Golden Hour

70 x 50 Charcoal and Pastel Starting bid at £50 That’s it—done for the day. Light softens, time slows. She rests in that golden space, at peace. A quiet exhale, where everything settles into stillness and ease.

22. Circus skirt

80 x 50 Ink and Gouache on paper. Starting bid at £50 Elements from the model emerge—suggested, not defined. The form drifts, playful and elusive, like memory or motion. A sketch of presence, half-held, half-lost in imaginative rhythm.

23. Naked and unafraid

70 x 50 Mixed media. Bid start at £50 Long lines drip away—fluid, fearless. The figure sits unapologetic. Vulnerability becomes strength, and the looseness of the marks echoes the courage of being fully seen.

24. Thoughtful moment

70 x 50 Charcoal and Pastel Starting bid at £50 A pause—arrested in stillness. Consideration flickers, exhilaration hums beneath contentment. She stops, fully present. In this quiet urgency, we’re reminded: reflection is vital.